Short Literary Work

Short Stories

Bluestem (2023) - “The Lost Girl”

BULL (2020) - “Worlds Away”

Front Porch (2016) - "The End of the World"

Waccamaw (2017) - "You Might Forget The Sky Was Ever Blue"

Barrelhouse (2018) - "Clutching"

Gravel (2016) - "My Father Was Andre The Giant"

Hobart (2017) - "Tree Man"

Prime Number Magazine (2017) - "Interrogation" (Flash Fiction Contest Winner)

Algebra of Owls (2017) - "Lessons"

Word Riot (2016) - "The Falls," "Of Gods and McMahons," "Ring Songs"

Longridge Review (2017) - "The Bionic Elbow"

Oyez Review (2022) - “Links”

Rappahannock Review (2016) - "The Leo Burke Finish"

Thin Air (2017) - "Scared"

Bridge Eight (2020) - “A Review of Jason Teal’s We Were Called Specimens: an Oral Archive of Deity Marjorie”

Cleaver Magazine (2016) - "A Review of Dan Mancilla's The Deathmask of El Gaucho"

Entropy (2016) - "A Review of Scott Nadelson's Between You and Me"

Entropy (2018) - “A review of Dallas Woodburn’s Woman, Running Late, In a Dress”

Entropy (2020) - “A review of Benjamin Drevlow’s Ina-Baby”

Entropy (2020) - “A Review of Ann Stewart McBee’s How Rabbit Went Down and Other Mishaps”

Fourth & Sycamore (2016) - "A Review of Julie Iromanyua's Mr. and Mrs. Doctor"

Rhizomatic Ideas (2016) - " A Review of Sean Bernard's Studies in the Hereafter"

Weave Magazine (2015) - "Life Leaves Its Scars: A Review of Michael Gerhard Martin’s Easiest If I Had a Gun"

45th Parallel blog (2015) - "Writers on Not Writing: Doink the Clown" (blog post)

Bent Country (2019) - “Why Write Stories” (blog post)

BuzzFeed (2014) - "Ranking All 69 Counting Crows Songs" (article)

Imagine Magazine (2015) - "The Joy (Yes, Joy) of Critical Writing" (article)

Mayday Magazine (2017) - "Jessica Jones and the State of American News Media and Politics" (critical essay)

The Red Fez (2018) - "Professional Wrestling as Creative Non-Fiction" (critical essay) (Nominated for Pushcart Prize)